A simplified, but still stratified structure of her recent work represents a proof of her significant distance from something already seen. She has dematerialised elements from nature by her own sense, in order to create surrealistic cosmic order, indispensable as a counterpoise to chaos of valuation criteria and aesthetics of dishonesty. The sky, clearings, hills, rivers or seas, have become colourful spots and lights; trees and fences geometrical forms or expressive strokes. Everything is subordinated to a pure fine art and necessity of plastic structure, woven of clearly defined monolith coloured surfaces, some verticals, circle or broken lines. Nothing hinders coupling in-between art of nature and nature of art.